A quick reminder – Booklovers’ weekend at the Ocean Lodge is coming up! There’s an article about it here.
News flash and a huge, huge thank you to readers–The Winter Lodge is on the New York Times Bestseller list , Publishers Weekly and the USA Today list. On to our regularly-scheduled program….
I write the first drafts of my novels by hand. I’m just as particular about the paper as I am about the ink. I use only a Clairefontaine notebook–wire-bound, graph ruled–and peacock blue ink, which has lamentably been replaced by “turquoise.” The pastel-tinted paper is thick, with a silky writing surface, and putting the words down is a meditation and a pleasure for whole minutes at a time (I’m not one of those writers blessed with effortless first drafts). In French, the notebooks are called “velin veloute,” a reference to the smooth texture of the paper.
When I’m working on a book, I tend to drag this notebook around with me everywhere. When it’s not with me, I try to keep it in a safe place, like in the freezer. So if there’s a fire, it’ll survive.
The U.S. distributor put up a list of writers who use Clairefontaine notebooks, including yours truly, as well as the main character of Passing Through Paradise:
“Best selling author Susan Wiggs, in her recent novel, Passing through Paradise, devised a heroine who uses Clairefontaine tablets and peacock-blue ink. This is no surprise, since the author herself always writes her first drafts with a special fountain pen, peacock-blue ink, and, yes, Clairefontaine notebooks.”
Author Anne Tyler once said that writing a book in longhand is like “knitting a book.” Maybe, but I don’t think that hard when I knit.