January 01, 2015
Writers always get questions about the writing process. I don’t blame you for asking. I ask other writers about the process, because I’m convinced they have a better way. One of my better known quirks is that I write my first draft of a book in longhand, using a fountain pen, peacock blue ink and Clairefontaine notebooks. It’s not an affectation. I’m a lefty, which means my hand (and sleeve) drag across the page behind the handwriting. But the Skrip ink dries instantly, thus saving my sleeve. The header above illustrates this.
Other Qs about process: The Examiner recently asked me some tough questions. Okay, they weren’t tough. I love answering questions. If I don’t know the answer, I just make stuff up. Don’t judge. I’m a fiction writer:
Q. You hand write your original drafts! Holy Cow…. Why? Do you just like communing with ink? The feel of the paper? You feel more connected to the book? Tell us about your process.
SW: Its a habit I started since before I even knew how to read or write. At age 2-1/2, I used to scribble on paper and tell my mother, “Now, write this down.” And bless her, she did. All my stories were about a girl who was chased up a tree with Bad Things after her. To this day, that’s pretty much what all my books are about.
As a teenager, I lived in Brussels and then Paris…I used to carry around notebooks (cahiers) filled with terrible angsty poetry. Later, when I started writing novels (grad school), I was so broke that I had to use half empty cahiers left over from high school. Since I hated (still hate) to type, I only wanted to type up each page once, so I would get the story down by hand and then transcribe. These days, I use Dragon Naturally Speaking and read the text into the computer. Ann Tyler once said writing by hand is like knitting a book. Its crafty! And you don’t save the wrong version or lose text (unless there’s a house fire). So the habit has stuck with me.
SW: This book was my alternative to being murdered by my daughter. We drove each other crazy during the wedding planning, but discovered that a sense of humor can rescue even the biggest disaster. Elizabeth started a blog which was howlingly funny and went viral, so she brought that snarky voice to the book. As the mom, I got to chime in. Some of the brutal honesty in the book still makes me squirm, but we both found a way to tell the story that every bride (and her mom) can relate to. Even those not planning a wedding will relate to the conflict and craziness of the mother-daughter bond.
Q. It seems you started the way many authors start: by thinking, “Hey, I can do that.” Since you had such great success for so long, besides the obvious advent of e-books, what are the biggest changes you’ve seen in the publishing industry?
SW: Honestly, the essence of publishing hasn’t changed. Since the days of the cave man carving stuff on the cave walls, people have wanted stories, and storytellers have wanted an audience. That is still the case. The changes are really a matter of format. Publishers consolidate, methods of publishing change, but readers and storytellers are forever. Thank God.
Q. Since you so enjoy keeping your toes wet in the teaching pool, if you had to pick the most important piece of craft information you’d like all new writers to take away from a conversation with you, what would that be?
SW: Tell the story that’s in your heart, and don’t hold back. Write a book the reader will want to melt into. And for Gods sake, learn your craft. Do NOT try to publish anything until you have nailed the basics (grammar, spelling, usage, syntax) and the refinements of writing. Readers deserve your very best, always….There are practical techniques a writer can use to keep the pacing of the novel strong, by introducing
unexpected emotions, twists and turns, actions and reactions. You want to leave out the stuff the reader is going to skip, anyway.
Happy New Year to All!