Writing with the door shut
February 23, 2008
I’m active in two very dynamic writers‘ groups and I regularly bring material for critiquing. But not the first time around. The door-shut time around. A novel is complicated and confusing enough with one writer trying to juggle everything. I can only have my head filled with so many voices at a time, and the first draft belongs to the fictional voices–my characters. This is where they take on a life of their own, but the magic only works if I shut the door and listen.
How do you write? Door open? Door shut?